#FROMily Send us a text today!
In this thrilling episode of What Is From, Alex and Lizzie delve into the intense seventh episode of season one, "All Good Things." This episode is a turning point, where the stakes rise dramatically, and the tension reaches new heights. As always, our hosts share their insights and reactions, highlighting the key moments that make this episode unforgettable.
Join us as we explore the pivotal scenes, character developments, and shocking twists that had everyone talking. From Ellis's downward spiral to the tragic and terrifying invasion at Colony House, this episode is packed with emotional highs and devastating lows. We'll also discuss the complex relationships and the show's deeper mysteries, including the enigmatic creatures that haunt the town of From.
Timeline Summary
- [1:05] - Introduction and housekeeping: Alex and Lizzie clarify the episode and share ways to follow the show.
- [3:12] - Initial thoughts: Alex and Lizzie discuss their anticipation and dread about watching the episode.
- [5:33] - Party at Colony House: The atmosphere shifts as Ellis drinks heavily, leading to tension and confrontation.
- [10:40] - Kevin's fatal mistake: Kevin's tragic decision to open the window for Jasmine results in horrifying consequences.
- [15:22] - The monsters invade: The terrifying moment when the monsters break into Colony House, leading to chaos and death.
- [18:55] - Fatima and Ellis: Their desperate escape and the emotional aftermath of the night's events.
- [21:18] - Victor and Julie: Victor's mysterious actions and his attempt to protect Julie by leading her to the faraway tree.
- [24:30] - Boyd and Katri's confrontation: A crucial conversation revealing Katri's past and his reasons for keeping Sarah alive.
- [30:45] - The tragic end of Katri: The heart-wrenching scene where Katri succumbs to his injuries, leaving Boyd devastated.
Thank you for tuning in to this gripping episode breakdown. Don't forget to rate, follow, share, and review our podcast if you enjoyed it. Your support helps us bring you more in-depth analyses and engaging content. Join us next time as we continue our rewatch of From with season one, episode eight, "Broken Windows, Open Doors." See you then!
You to can become part of our show by showing your support.
https://www.buzzsprout.com/2182864/support
https://www.etsy.com/shop/WhatisFromShop
You can connect with us by comment below or send emails and voicemails to fromepixpodcast@gmail.com
https://www.instagram.com/wfromcast/
https://twitter.com/wfromcast
TIKTOC: whatisfromcast
You can find our contact info and all our other shows at: www.podcastica.com
Check out Alex and Lucy on Daddy Daughter BookWorms:
https://shorturl.at/nwALY
Check out Lizzie on Brains Gone Bad: http://directory.libsyn.com/shows/view/id/brainsgonebad
Check out Lizzie’s book series, Lizzie’s Lost Girls at: https://shorturl.at/cijOP
Podcastica. Fun, in-depth talk about great TV.
Speaker 2: Ah Welcome to the show.
00:00:26
My name is Alex.
00:00:27
Speaker 3: And I'm Lizzie.
00:00:29
Speaker 2: And this is the what Is From cast At the time that
00:00:34
we're recording it.
00:00:35
It's an MGM Plus dedicated to the show From, and today we are
00:00:41
looking at Season 1, Episode 4.
00:00:45
Speaker 3: Seven.
00:00:47
Speaker 2: What did I say?
00:00:47
Speaker 3: Episode seven.
00:00:49
Speaker 2: I did.
00:00:49
Oh, I thought I said seven, okay.
00:00:51
Speaker 3: You said episode four .
00:00:52
Speaker 2: I don't know.
00:00:53
I don't know what I'm doing.
00:00:55
Speaker 3: Been there, done that , my friend.
00:00:57
Speaker 2: As I said, episode seven, all good things, and this
00:01:02
is the episode of episodes where everybody that we talked
00:01:09
to from the cast this was the one thing that everybody talked
00:01:12
about.
00:01:13
But before we get into it, I just wanted to say, if you're
00:01:16
listening to the show, thank you , and if you'd like to subscribe
00:01:19
to any of our platforms, whether it's youtube or uh
00:01:23
podcast or whatever, please do, just hit that like subscribe.
00:01:27
All that good stuff.
00:01:28
Also, we do still have our Etsy shop going on and you can just
00:01:36
go to Etsy what is from shop and you're good to go, all right,
00:01:40
and so.
00:01:43
Speaker 3: I see Lucy Hi.
00:02:08
Speaker 2: Lucy.
00:02:08
So, like I said that epsi shop, just go to what is from shop
00:02:12
and away we go.
00:02:13
So, that said, we are doing our rewatch of episode seven.
00:02:18
Evidently, uh, season one, all good things.
00:02:21
And what were your first thoughts about this?
00:02:24
Speaker 3: the episode I didn't want to watch it because I knew
00:02:29
what was coming, but still it's.
00:02:34
I'm hanging by a thread, even though I've seen it multiple
00:02:39
times, and I know what's going to happen.
00:02:41
Speaker 2: Right, I mean, it's a great episode.
00:02:44
Speaker 3: Yeah, and I know now we don't fully say goodbye to
00:02:49
Father Khatri, but then I didn't know and I was so surprised at
00:02:53
the time.
00:02:54
It happened so fast, so quickly and I just missed him being
00:03:02
there.
00:03:02
I feel like there was more to be learned from him, but I don't
00:03:11
know.
00:03:11
I definitely have been having thoughts since we recorded last
00:03:18
some thoughts, but anyway, what did you think?
00:03:20
Speaker 2: I mean, it's obviously one of my favorite
00:03:22
episodes.
00:03:23
A lot happens, there's a lot of blame to go around, and I just
00:03:30
think that from this episode, the from comes together as a
00:03:36
group.
00:03:36
There's really not Colony House and there's really not the town
00:03:42
after this episode, it's just one group.
00:03:45
I mean, again, we're going ahead, but I just love how the
00:03:51
monsters have so many levels or layers, so to speak, and this is
00:03:57
where we really get Smiley at his best.
00:04:02
This is the first time that we really get a look at him and you
00:04:06
know, in our intro for those of you watching on youtube that
00:04:10
scene where he's looking down, it's the creepiest scene and I
00:04:16
don't know if we coined the phrase smiley, but I'm almost
00:04:20
certain we did when we asked we did when we talked to donna that
00:04:24
first time we talked to liz saunders and we talked to
00:04:32
everybody about it and it was liz saunders, we we talked to
00:04:37
first because she was like, I don't even know who that is, but
00:04:40
he just creeped the crap out of me.
00:04:42
Speaker 3: Yeah, I mean, she knew who we were talking about,
00:04:45
um, but that scene, that picture of him looking over the
00:04:50
banister, is iconic for the show .
00:04:54
Speaker 2: It's the class, it's a classic yeah yeah, so, but
00:04:59
that that said, why don't we get into the show and hopefully we
00:05:05
can get through it um in an hour , so we can go to sleep and let
00:05:14
an early call an hour away tomorrow so that makes it even
00:05:19
better.
00:05:19
But we start out, and I'll start it off a little bit.
00:05:23
That first scene you've got Ellis and he's drinking his
00:05:27
flask.
00:05:30
Speaker 3: Well, we're still at the party, we're still at
00:05:33
Fatima's.
00:05:33
That's what I mean.
00:05:35
Yeah To set that scene.
00:05:37
We're still at Fatima's party, yeah.
00:05:42
Speaker 2: Adam is party, yeah, and Ellis comes in and he's all
00:05:52
drinking and he's got his flask and he's like pre-gaming as a
00:05:54
tailgate and he's having a good time, but you know it's not a
00:05:59
good time and Julie is just looking at all this like what
00:06:05
the frig is going on here.
00:06:08
Speaker 3: Well, he's not in the room with Julie and Fatima yet
00:06:15
Because they switched to the bedroom, the attic bedroom, and
00:06:20
Fatima is looking under the bed for something and Fatima is
00:06:26
looking under the bed for something.
00:06:27
And Fatima says that she's looking at the party the wrong
00:06:32
way.
00:06:32
It's about celebrating survival and it reminds everyone that
00:06:38
it's possible and it's nice to have a party once in a while.
00:06:41
And she finds this sweater, this like yellow mustard colored
00:06:46
sweater, and she says that Trudy loves it and it's Alice's
00:06:55
favorite sweater on Fatima.
00:06:56
And Julie tells Fatima that she makes this place almost seem
00:07:00
like it's normal and she says Fatima says that they are all
00:07:06
special, even Trudy.
00:07:07
Then Ellis comes in and he wants to pregame and Fatima
00:07:13
tells him to go easy.
00:07:14
Julie doesn't want to.
00:07:16
Ellis tells them that they suck and he goes to look for Victor.
00:07:21
Like I can't imagine Ellis sitting there having just
00:07:26
drinking, drinking, drinking with Victor and he was just.
00:07:31
Speaker 2: What I kind of liked about it was he's like, hey, my
00:07:35
girls and a lot has happened since Julie's gotten there
00:07:40
They've kind of become a little family between the three of them
00:07:44
, or a roommate and couple, yeah , and when people have their ups
00:07:49
and downs, these things kind of happen.
00:07:51
I love the fact that, uh, ellis is like trying to engage victor
00:07:57
and we get a little bit more a taste of what victor's about,
00:08:03
because he wants no part of it.
00:08:05
Speaker 3: He's just I'm not even at it go away.
00:08:10
Speaker 2: I don't want any part of this.
00:08:11
The shit's hitting the fan with all the cars and everything
00:08:14
else, like dude, what is your freaking problem?
00:08:18
I don't even drink.
00:08:19
I'm like 12 years old mentally and you're gonna ask me to drink
00:08:22
?
00:08:22
Yeah, exactly.
00:08:25
But then donna comes in, or donna, uh, and ellis have a
00:08:31
little bit of a thing and he's like you said and he's trying to
00:08:35
like hold that cup up with the booze and donna's just like dude
00:08:39
, you know, get out of here.
00:08:43
And um, but what I like about that scene, or even just this
00:08:48
episode, is it's weird when you first watch it, but when you put
00:08:56
it together with the whole, the whole season, we know why he's
00:09:03
so like screwed up today, because I mean, his mom, this
00:09:09
place, everything has gone to shit and what's kind of sad is
00:09:15
that the only thing he does have is fatima, and we always hurt
00:09:19
the ones we love the most, I guess.
00:09:20
But, um, sorry for jumping in, because I think there's
00:09:24
something else important that you want to talk about when it
00:09:27
comes to Donna and Victor in this scene.
00:09:36
Speaker 3: I just have to catch up because you were not going in
00:09:40
order and it's throwing me off.
00:09:42
Speaker 2: Okay, well, no, I kind of did, but I'm on the
00:09:45
third line.
00:09:47
Speaker 3: So Victor's in the kitchen because he's looking for
00:09:51
peaches and they're out of peaches.
00:09:54
But she's been putting some other things aside for him, like
00:09:57
fruit cocktail and cranberries, but I don't think that those
00:10:03
things hold the same interest and comfort for him that peaches
00:10:09
do.
00:10:09
Victor says that all the peaches are gone and all these
00:10:14
years it's the one thing that's never changed.
00:10:17
But we don't know how he gets the peaches.
00:10:23
Speaker 2: Yeah.
00:10:24
Speaker 3: We also know that things which they haven't really
00:10:29
talked about, but like things just kind of come to be Like Mrs
00:10:34
Lou puts on a big spread every day.
00:10:38
Speaker 2: Right, where's all that food coming from?
00:10:40
Speaker 3: Yeah, where is she getting the bisquick Right?
00:10:43
Because they're not milling flour there, they've only got
00:10:48
livestock in that they get, they probably get some milk.
00:10:53
Speaker 2: It would be really interesting if the cupboards
00:10:57
would stay full, yeah, like full , but like in the morning
00:11:05
there's like three more there or something, yeah, which we don't
00:11:10
know about, and that's kind of an interesting little thing that
00:11:13
we not that we need to do a deep dive on it, but it's just
00:11:16
one of those.
00:11:17
Speaker 3: Just do a deep dive on it we don't know how that
00:11:19
comes about.
00:11:21
Speaker 2: deep dive it's like okay, they just materialize and
00:11:25
I mean it happens, they happen to have stuff.
00:11:27
But I think there's more.
00:11:28
Victor has a great.
00:11:32
I wish people would talk in this place.
00:11:34
I know I've been saying it since day one and if everybody
00:11:39
kind of just talked about what's going on, we have a better
00:11:43
sense of what's going on.
00:11:44
And Victor is always dismissed because he's victor and
00:11:50
something coming up I think really solidifies why he's in
00:11:54
season two.
00:11:54
I think um, but uh, yeah, no, that conversation it was just
00:11:59
kind of sad, but I think it has a bigger um of sad, but I think
00:12:10
it has a bigger um meaning to from, I think.
00:12:11
Speaker 3: But let's press.
00:12:12
Well, I'm not sure, I think, what it's doing, what the whole
00:12:13
point of that conversation is, that it's another sign that
00:12:19
things are changing.
00:12:20
Yeah, no, and this, like donna says she's sorry, he walks away
00:12:27
dolefully and she looks sad and it just seems him being doleful.
00:12:38
That makes sense because he wants peaches, but she's sad.
00:12:42
That just seems a little bit too deep for this particular
00:12:47
thing that they're just out of peaches.
00:12:50
Speaker 2: Well, I think it's a well to me.
00:12:53
The way I look at it is Donna's like a mother to him and you
00:12:58
don't want to disappoint your kid, and I mean I've done that
00:13:03
with Lucy, I've done that with my daughter.
00:13:05
We're out of this, but you know we'll get some more at the
00:13:08
store.
00:13:09
Speaker 3: Right, exactly.
00:13:10
You're going to get more at the store.
00:13:12
We don't know, until they get more.
00:13:15
Speaker 2: But my point being is she hasn't been getting more?
00:13:20
Speaker 3: We don't know.
00:13:20
She just hasn't yet, like he's saying.
00:13:27
Speaker 2: I think.
00:13:27
No, I think you're, I think you're.
00:13:31
Speaker 3: We don't know if they had a finite amount, like they
00:13:35
got a pallet of peaches to work with when they're gone, or if
00:13:42
they appear periodically.
00:13:44
Well, he's been eating peaches from the uh the truck for years
00:13:51
right, but food does not stay good in cans for years and years
00:13:59
they expire.
00:14:02
Speaker 2: He's a 50 year old man, my point for 40 years being
00:14:07
is the magic is gone with the peaches, and that's the problem.
00:14:10
Like that's.
00:14:12
The problem that donna is seeing is like this is what we
00:14:16
got.
00:14:16
The magic isn't coming back like the storage we don't know
00:14:19
that it's not coming back.
00:14:20
They we just know that they're out okay, fine, I I I will just
00:14:27
agree to disagree I don't know that we're even in that realm I
00:14:33
I fine all right.
00:14:35
Speaker 3: So then we just have a quick scene, um, on the, the
00:14:41
porch, where kevin leaves a bouquet of flowers and a woman
00:14:46
tells him to come on because it's going to come in, because
00:14:48
it's getting dark out.
00:14:50
Speaker 2: So yeah, he's the biggest piece of crap in the
00:14:55
whole entire from universe.
00:14:57
Speaker 3: Well, yeah, he's just very insecure.
00:15:00
I mean like insecure I mean like insecurities call caused a
00:15:04
big problem how, like, are you all right?
00:15:10
Speaker 2: fine, I'm just gonna drop it because it just goes to
00:15:14
show you guys are dumb, sometimes creatures in the world
00:15:21
and is the embodiment of stupidity and loneliness and I
00:15:26
get this thing he's thinking with the wrong brain right and
00:15:33
so yeah it just angers me because, as awesome as this
00:15:43
episode is and it's an awesome episode- yeah it should have
00:15:48
been prevented, which I know it can't be, because it wouldn't
00:15:51
have made it so good.
00:15:52
Speaker 3: But like dude what we'll get to it, but oh yeah, so
00:15:59
, um, it's just more exposition about everyone getting ready for
00:16:05
the night.
00:16:05
Boyd's walking down the street ringing the bell.
00:16:08
The thing that I noticed is that three girls walk into the
00:16:12
house that Nathan and Sarah shared, so apparently people
00:16:18
have moved right in there's a vacancy.
00:16:21
Speaker 2: They just don't even paint, they just leave the blood
00:16:23
on the wall.
00:16:23
I mean it's so funny how you know they just don't even paint,
00:16:23
they just leave the blood on the wall.
00:16:24
Speaker 3: Yeah, there's no need .
00:16:26
Speaker 2: I mean it's so funny how, but they have to do that.
00:16:30
It's not like they can go to the general store, slash
00:16:33
whatever with the peaches right next to it as the paint.
00:16:36
I mean because nothing was painted.
00:16:39
Speaker 3: Yeah.
00:16:39
So then on to the Matthews house, where Tabitha and Ethan
00:16:44
are on the couch.
00:16:45
Tabitha's reading a book to Ethan and she says there was so
00:16:50
much joy on the faces of all the new wondrous friends that she
00:16:54
had made.
00:16:54
And she's reading about the Kramanakal.
00:16:58
Then we're at the sheriff's office.
00:17:00
Katri sits on the step waiting for Boyd to come in and he has a
00:17:05
bag in his hand.
00:17:06
Tabitha so much magic in all the marvelous places that she
00:17:11
had been.
00:17:11
Boyd's ringing the bell.
00:17:13
And then Matthew's, back to the Matthew's house, Tabitha's
00:17:17
reading.
00:17:18
Yet the Cromonocle had a feeling there was still more yet
00:17:22
to come and that her adventures in this strange new world truly
00:17:27
had only just begun.
00:17:28
So we're seven episodes in and it's still talking about this
00:17:33
having just begun so I have a question yeah do you believe in
00:17:38
the chrono knuckle now, at this point in the show?
00:17:45
Yeah.
00:17:46
Speaker 2: Okay, do you believe in the Kramanakal after season
00:17:51
two?
00:17:53
Speaker 3: Yeah, I mean once we get there into season two, I
00:18:00
think I'll be better able, or more able to talk about it,
00:18:04
given that I am spending more time looking at the possible
00:18:14
things going on here.
00:18:15
But in the last episode, when Victor said to Ethan, I was the
00:18:23
chosen one and I failed.
00:18:26
Now you're the one that's been chosen.
00:18:29
So that's the whole thing.
00:18:32
Cromonacle.
00:18:33
The Cromonacle was chosen to solve whatever problem the
00:18:37
puzzle, or get them home or whatever it was.
00:18:41
Speaker 2: So yeah, so, um, yeah , I throw that out there because
00:18:52
I I'm kind of up in the air that you're not open to it.
00:18:54
Like I want it to be the promenade, I really want it to
00:18:57
be the book.
00:18:58
But the problem with these writers is they keep throwing
00:19:04
stuff in that just it seems like there's extra pieces when
00:19:09
you're building a Lego set.
00:19:11
Speaker 3: To me.
00:19:12
Yeah, no, but you're not wrong there.
00:19:14
There's an awful lot going on simultaneously, like I feel like
00:19:23
they all have a separate purpose for being there.
00:19:30
And second season, it was like Boyd was on a game board and
00:19:39
when he got to the very end, it's like he solved the puzzle.
00:19:42
When he got to the very end, it's like he solved the puzzle.
00:19:48
Tabitha was on a journey and she got out of the game Like she
00:19:53
won, which makes me wonder.
00:19:55
Well, I know, that's what I'm not saying.
00:19:57
This is 100, but you know it's like she won.
00:20:01
Speaker 2: She's on the next level.
00:20:02
She's on the next level and like maybe that's where.
00:20:04
Speaker 3: Victor's mom and sister are.
00:20:05
It's like she won, where she got to a new level.
00:20:07
A new level, a new level, and like maybe that's where Victor's
00:20:10
mom and sister are I don't remember if he saw their bodies
00:20:13
or not Got yanked out of the game.
00:20:16
The other person that was in the house wasn't meant to play
00:20:20
that game.
00:20:20
Maybe he got on the bus by accident.
00:20:27
Speaker 2: Again, I keep bringing it up because I just
00:20:28
they did such a good job of this crom monocle storyline.
00:20:30
Now maybe you can't make it that simple, you know.
00:20:38
I mean it can't just be that, people.
00:20:40
I mean if it, then it would probably be over in a season.
00:20:43
Speaker 3: But it could be that the broad sense is the
00:20:51
Kramanakal's journey.
00:20:52
That's the broad story.
00:20:54
But within that story there's these other things going on.
00:20:58
Yeah, it's like different people have different things.
00:21:03
But first Victor, then Ethan, they're the Kramenakl and maybe,
00:21:12
if they can get all the way through the journey, it overall
00:21:19
solves the game.
00:21:19
I don't know overall solves the game.
00:21:22
I don't know.
00:21:24
It's just interesting and sad just watching Jade lose his mind
00:21:31
.
00:21:32
Speaker 2: Well, I will say this and when we get to it in just a
00:21:36
minute, like literally in just a minute, his transformation is
00:21:42
totally amazing.
00:21:43
And let's get into that.
00:21:49
Speaker 3: Are we going to that or are we going to?
00:21:50
No?
00:21:50
We're at the Lou's house.
00:21:51
Kenny knocks on the door and he tells Jade that Mrs Lou is
00:21:58
calling them to dinner.
00:21:59
Jade is scribbling the symbol over and over in a book and it's
00:22:03
like he's hypnotized.
00:22:05
Kenny sees the book, asks what Jade is doing and tells Jade
00:22:10
that he was reading that book.
00:22:11
Jade says that there's no other paper there.
00:22:15
So Jade took the book that Kenny was reading the book that
00:22:20
Kenny and Christy swapped back and forth and starts drawing the
00:22:25
symbol, like he is possessed with that symbol.
00:22:29
Speaker 2: I love it.
00:22:30
I love Jade's answer after this .
00:22:32
Speaker 3: There's no other paper there.
00:22:34
Speaker 2: No.
00:22:34
The next thing he says well, I could go on the wall, but that
00:22:37
would be psychotic, or something like that.
00:22:40
Speaker 3: Like do you want me to write on your walls like a
00:22:42
psychopath?
00:22:44
Speaker 2: Like he's already not a psychopath, but I just love.
00:22:46
Speaker 3: He's already a psychopath, like in a sense,
00:22:49
like because he's losing his mind.
00:22:53
Speaker 2: Oh, I'm sorry.
00:22:54
Speaker 3: No, I'm just saying like he's not.
00:22:56
He's trying to be methodical the same way he solves every
00:23:01
problem, but he's not.
00:23:03
He's stuck on this symbol.
00:23:04
Now, the second time he sees the symbol he gets stuck on it.
00:23:09
So, back at the sheriff's office, khatri is still there
00:23:16
waiting.
00:23:17
Boyd comes up and Khatri thinks that there's some things that
00:23:20
they need to talk about in private.
00:23:22
Speaker 2: Oh, I know, Could he be any more melodramatic?
00:23:26
Yeah, I mean, hey, sean, I know you're not listening, but you
00:23:30
played it really awesome.
00:23:31
But, dude, you had to turn it down to like 10.
00:23:35
Speaker 3: Well, maybe they had him turn it up.
00:23:40
Speaker 2: All the priests, don't get all the little boys.
00:23:42
You could have turned it down just a little bit All right.
00:23:46
Speaker 3: So Boyd tells him to come back in the morning, but
00:23:52
Katri's like nope, it's got to be tonight.
00:23:55
And so Boyd's like, well, it's a sleepover, Everybody.
00:23:58
It's a sleepover, it's a sleepover I love that.
00:24:01
Speaker 2: I guess we're having a sleepover.
00:24:03
Speaker 3: Yep.
00:24:03
So then they're in the office and Khatri notices that Boyd has
00:24:11
been packing, and Boyd said he was going to talk to Khatri
00:24:16
about that too.
00:24:17
And so then back to the Matthews house.
00:24:21
Jim is sitting at the table diagramming a tower for the
00:24:25
radio.
00:24:25
He's using paper that there is print on, which is to Jade's
00:24:31
point.
00:24:31
Tabitha comes in saying that Ethan has passed out, and Jim
00:24:35
jokes about Ethan digging in the basement all day.
00:24:38
Tabitha says that he had fun helping.
00:24:41
They both get nervous when they take their eyes off of him.
00:24:45
Kim says that the windows are nailed shut, the doors are
00:24:50
locked and Ethan wouldn't be able to let a monster in.
00:24:53
And I had a thought when he said that why don't the monsters
00:24:59
light the houses on fire so that the people have to come
00:25:03
running out?
00:25:05
That's a very good theory, but it's a question, but like that
00:25:12
would be one way of getting around the talisman.
00:25:16
Well, you're going to hang those up, we're going to make
00:25:20
you run away from them.
00:25:20
So Tabitha worries about Julie at the colony house and Jim
00:25:25
reassures her that Donna's taking care of her.
00:25:27
Tabitha asks how, which is like interesting that he says that
00:25:32
this night.
00:25:33
Tabitha asks how it's going and Jim says he will need all the
00:25:36
building materials and every battery they have will be
00:25:40
drained and Donna will have to let them build on the highest
00:25:43
ground at colony house but that it's promising enough for
00:25:47
everyone to hate them when it fails.
00:25:49
And Jim says that that static is a far cry from a signal.
00:25:56
So they kid about the oh, my laundry is done.
00:26:02
They kid about the basement and tabitha goes back down to dig.
00:26:09
Speaker 2: Now do you want to take a second?
00:26:11
No, I don't care.
00:26:13
I didn't know if it was going to keep beeping no, it'll be
00:26:16
fine.
00:26:18
Speaker 3: um, so up at the colony house, fatima and ellis
00:26:21
are at the party and Ellis has had way too much to drink, so he
00:26:25
insists that he's fine because it's a party and tells her not
00:26:30
to worry.
00:26:30
But she is worried.
00:26:32
I mean, who wants to?
00:26:33
Like he could be thrown up all over the place.
00:26:37
Speaker 2: Like a girlfriend never has to worry about their
00:26:40
drunken boyfriend ever yeah.
00:26:44
Speaker 3: Well, he's drunk, he doesn't know what he's saying.
00:26:46
Speaker 2: No, I'm just saying we've all been there.
00:26:49
Speaker 3: Yeah.
00:26:50
Speaker 2: We've had our drunken significant other who's just
00:26:53
having a bad, whatever, and you just gotta deal with it and
00:26:57
hopefully, because she's like, oh, he'll be fine, he'll be fine
00:27:00
, he's just gotta sleep it off.
00:27:01
Speaker 3: Yeah, so Donna gathers everyone to celebrate
00:27:06
Fatima.
00:27:06
One year ago, fatima arrived, so I, of course, have her on the
00:27:20
board.
00:27:20
Whoops, I've got to get this to the right way.
00:27:27
All right, I don't know if anyone can even see this, but we
00:27:28
have the Matthews family and Jade arriving at the same time.
00:27:29
This is six nights ago.
00:27:31
Six nights, sarah, four to five months ago, with Nathan Christy
00:27:39
.
00:27:39
Six months ago, fatima, one year, and we'll stop there for
00:27:47
now.
00:27:49
Speaker 2: What I find interesting is Victor really was
00:27:57
alone for a long time.
00:27:59
That's the first thing.
00:28:01
And also it was seven days, Because the only reason I say
00:28:05
it's seven days when Boyd walks to the, to the thing it said
00:28:10
seven what when.
00:28:13
Boyd goes when Boyd goes to his house what does it say?
00:28:17
Speaker 3: seven days without?
00:28:18
Speaker 2: a seven.
00:28:21
Speaker 3: I think it's wrong because okay it.
00:28:23
Speaker 2: Very well may be, yeah, it may be going into the
00:28:27
seventh day, but I'm just saying what it's like, and the only
00:28:30
reason I noticed that is I just watched it.
00:28:34
Like I literally just watched it, but it doesn't really matter
00:28:37
.
00:28:37
The point is it's only been like about a week.
00:28:41
Speaker 3: Yeah, and I'm only disagreeing because I've been
00:28:45
keeping very careful track of it , because I wanted to know, yeah
00:28:51
, cause it's day six when we start this.
00:28:54
Because I wanted to know.
00:28:56
And day six carried over because, um, I want, I w, cause
00:29:02
I think it was like two weeks when, um, the bus shows up, but
00:29:07
I wanted to know, the bus shows up, but I wanted to know.
00:29:15
So one year ago, fatima arrived .
00:29:16
All have come to love her for various things, including her
00:29:17
weed.
00:29:17
Donna says that Fatima has made this big old drafty box feel
00:29:22
like a little bit more like home and wishes her happy
00:29:25
anniversary and gives her a gift which is a dream catcher and
00:29:29
they hug.
00:29:30
Donna says that they are so lucky to have her and they both
00:29:34
get sniffly.
00:29:34
Donna tells everyone to drink smoke, have fun and keep an eye
00:29:39
on each other.
00:29:39
A woman comes up to Fatima and this is a big deal to Julie
00:29:44
wishes her happy anniversary and kisses her passionately, while
00:29:48
Julie looks on.
00:29:49
Speaker 2: Julie doesn't know what to do with what she's just
00:29:52
seen and walks away stunned because like she's trying to
00:29:56
figure out how she fits in absolutely yeah, like I mean
00:30:02
there's a lot going on, because she was like the third wheel of
00:30:06
Fatima and Alice in a good way, yeah, go.
00:30:10
And then it's like wait, who is this person?
00:30:15
And why is she sucking face with Fatima?
00:30:19
And what about Alice?
00:30:20
I mean because you gotta remember she's a kid yeah so
00:30:26
still trying to deal with new boyfriends and whatever else at
00:30:29
that time, even though she's a, in the last seven days she's
00:30:34
matured a lot and with the fight , like she knows what's up with
00:30:39
her family.
00:30:39
So I mean there's a lot going on there and I just know with a
00:30:45
nine year old there's a lot of emotion I can't imagine and I
00:30:49
don't want to think about high school slash ever again is no,
00:30:55
as it's bad enough as a guy, never mind a a girl, going
00:31:00
through everything like that.
00:31:02
So it really is very telling and we all are trying to.
00:31:08
First off, there's the one layer of you're trying to fit
00:31:12
into society, whatever society you're in.
00:31:16
Then you have to.
00:31:17
Also, how do I fit into this colony house, which I did
00:31:20
because I was trying to get back at my parents and nothing is
00:31:24
going right.
00:31:26
Speaker 3: Well, I think she was reacting to knowing that her
00:31:34
parents were divorcing and she was in a sense saying you want
00:31:38
to divorce each other, I'm going to divorce you and I'm going to
00:31:41
go on this separate direction.
00:31:44
And she's in the colony house and I don't think she expected
00:31:53
the complexities that she's encountering and she's created
00:31:55
this or she's working on this relationship with Fatima.
00:31:59
That she doesn't fully, 100% understand and but she knows she
00:32:05
likes Fatima and Ellis a lot and when this other woman comes
00:32:11
up, she doesn't like it throws her for a loop because she
00:32:17
doesn't know where she fits in.
00:32:19
Now she knew where she was.
00:32:22
Speaker 2: And this just goes back to kids and accountability
00:32:27
in terms of this, just what you just said, I'm going to show you
00:32:30
.
00:32:30
I'm going to divorce you.
00:32:31
Well, you know what there's consequences to that and I know
00:32:36
it's kind of a different conversation which I'm not going
00:32:37
to get into, but I just think that you're absolutely right.
00:32:41
How do I fit in this world?
00:32:43
How do I fit in the world just in general?
00:32:48
this friend, my good friend, my only friend, is this other thing
00:32:54
which I have no idea about, and how am I gonna deal with this?
00:32:58
Speaker 3: yeah, so I'm out of nowhere because, like the thing
00:33:00
is, she was probably expecting normal world issues.
00:33:06
She wasn't really thinking about the things that she's
00:33:12
encountering in this house, so some of it has really and truly
00:33:19
been a surprise.
00:33:19
So now we're at the sheriff's office and things are getting
00:33:26
underway between Katri and Boydd , and Boyd says the plan is to
00:33:33
find a way out of here once and for all before it comes crashing
00:33:36
down around them and then says it's your turn.
00:33:39
So Katri shows him his bag and says that he buried the bag the
00:33:45
day that he arrived.
00:33:46
He puts it on Boyd's desk and tells him to open it.
00:33:49
Boyd starts going through it and pull some things out.
00:33:52
He pulls out the bottle of alcohol and comments oh, you've
00:33:56
been holding out.
00:33:57
And then the bloody shirt, and wants to know if the blood on
00:34:00
the shirt is Katri's.
00:34:01
Speaker 2: I love that question.
00:34:03
I just it was like because in this place who the hell knows?
00:34:08
Speaker 3: Yeah, it could be anything.
00:34:09
Speaker 2: anything country could have been in a bad
00:34:10
accident or whatever like what I love about this conversation
00:34:15
and I'm gonna let you finish in just a second, I know I keep
00:34:17
jumping off it's just that I love the dialogue in this sense
00:34:24
they're putting their cards out.
00:34:25
We're trying to figure this out where, where, 99% of the time,
00:34:31
everybody is like so secretive.
00:34:35
Speaker 3: Yeah.
00:34:37
Speaker 2: And what Katri says in the beginning of this, which
00:34:40
is so important, is we never talked about our lives before we
00:34:45
got here.
00:34:45
Right, and I think that may be a key to either why they're
00:34:52
there or how they get out.
00:34:54
Speaker 3: Yeah.
00:34:54
So Khatri tells him there's another item in the bag and Boyd
00:35:01
pulls out a candy wrapper and then asks what's going on.
00:35:06
Khatri says that they've never discussed who they used to be
00:35:10
before they came here.
00:35:11
A young boy in his congregation who would get excited when his
00:35:15
mother would let him put a dollar in the collection plate.
00:35:17
One day after mass he found the boy lingering outside the
00:35:21
rectory and this was unusual because he wasn't the kind of
00:35:26
kid that would stray away from his parents.
00:35:28
The parents were strict and rigid, hinting that the parents
00:35:31
were abusive to keep the kid behaved.
00:35:34
And I think Khatri takes a drink.
00:35:39
I'm assuming that's who I meant by he.
00:35:48
I took a drink after that.
00:35:50
Okay, okay, that makes sense.
00:35:51
Okay.
00:35:51
The boy was upset and asked if he could stay for a while.
00:35:54
But Katria had to prepare for the evening mass and he didn't
00:35:57
want the parents to worry.
00:35:59
So he gave him a candy bar and sent him home, and the boy
00:36:03
didn't want to go.
00:36:05
Later that night he went by the house unusual of making house
00:36:09
calls but something was nagging at him and as he walked up the
00:36:14
driveway the mother came running out, hysterical, inconsolable.
00:36:17
He could smell the alcohol when he went through the door.
00:36:20
The father was standing there, panicked, with a dumbfounded
00:36:24
look on his face, yelling get up to the boy.
00:36:26
Khatri walked over and stepped in the room and there he was,
00:36:30
the sweet, innocent boy just lying there, broken.
00:36:33
His neck was bulging in a way.
00:36:35
I could see his pocket.
00:36:37
In his pocket was the candy bar .
00:36:43
Father said the boy would be fine, but the way he said it
00:36:45
sounded indignant.
00:36:45
The next thing I knew I was on top of him, smashing his face as
00:36:47
hard as I could.
00:36:48
I couldn't stop.
00:36:49
I just kept hitting him over as I could.
00:36:50
I couldn't stop.
00:36:50
I just kept hitting him over and over again.
00:36:52
I couldn't stop.
00:36:53
Even when I felt the bones in my hand start to break, I
00:36:57
couldn't stop.
00:36:58
I was the one who was supposed to listen.
00:37:02
I was the one who was supposed to defend the defenseless.
00:37:05
That sweet little boy came to me begging for help and all I
00:37:10
could do was give him a candy bar a fucking candy bar and he
00:37:17
throws the wrapper violently.
00:37:19
Now, um, oh crap, I don't remember what I was gonna say.
00:37:25
So the next thing I remember I was standing on a bridge holding
00:37:28
that bottle in my hand, and it was the first time in my life
00:37:32
that I heard the voice of God.
00:37:34
He told me to get back in the car and that there was another
00:37:38
path for me to follow.
00:37:40
So I did, I got back in the car and I drove and two hours later
00:37:45
I was here.
00:37:46
So Katri mentions God and what God said and this was the way.
00:37:51
He way.
00:37:55
What the heck was I trying to say?
00:37:57
I don't know what P-O-N means Path, and that this may be his
00:38:05
path.
00:38:05
Oh my gosh, sometimes the handwriting Alex, alex, anyways.
00:38:10
So boyd is asking why he's telling him this all now?
00:38:16
Because, like I don't know sometimes you know to your point
00:38:22
, why hadn't they talked about stuff yet?
00:38:24
Or before, because I have sarah tied up in the basement of the
00:38:28
church.
00:38:29
Speaker 2: I'm sorry, or you would think they would have
00:38:32
talked more, because they're so kind of close it's kind of, not
00:38:38
that he's his right hand man, because obviously that's Kenny,
00:38:41
but he does protect Kenny.
00:38:43
Those two it's like Donna, him, katri, are kind of like the
00:38:47
peers, they're the, they're the.
00:38:49
And then kind of like the peers , they're the, they're the.
00:38:50
And then we've got the lose, and maybe Alice and Fatima as
00:39:02
that that second layer Cause they're kind of like lieutenants
00:39:05
, because obviously blue is the food and Kenny is the deputy.
00:39:09
Oh, and then also Christie.
00:39:11
Yeah, christie's on the second level with them.
00:39:13
I mean trying to think about that.
00:39:15
It's kind of an interesting deal.
00:39:18
Speaker 3: Yeah.
00:39:19
So look, I've always known there's a reason we're here.
00:39:24
Boyd pulls his gun on Cautry because Cautry's got Sarah that
00:39:28
there's a path to follow.
00:39:30
And I know it may seem.
00:39:31
Khatri turns to face Boyd and Boyd cocks the gun.
00:39:35
Boyd says tell me you're joking , tell me you're motherfucking
00:39:40
joking.
00:39:41
And Khatri asks if Boyd is going to shoot him.
00:39:44
And Boyd says he might shoot him.
00:39:48
And Boyd says you told me that Frank broke the rules.
00:39:51
Frank had to go in the box, and now you just the girl.
00:39:55
Katri says that the girl may be the key to unlocking all of
00:40:00
this.
00:40:00
The girl may be the way we all go home.
00:40:03
Boyd tells him to keep talking.
00:40:05
So now we're back up at the colony house.
00:40:09
We've been waiting for this.
00:40:10
Kevin goes into the bathroom while everyone is partying
00:40:16
downstairs.
00:40:16
He pulls up the shade and Jasmine is waiting for him.
00:40:20
Did you notice that she's facing away from the window Like
00:40:25
she's standing on a little porch?
00:40:27
Speaker 2: Yeah.
00:40:29
Speaker 3: And there's no porch there.
00:40:30
No, well, the old lady did the little porch.
00:40:31
Speaker 2: Yeah, there's no porch there.
00:40:31
No, well, the old lady did the same thing.
00:40:34
Speaker 3: Yeah, exactly, exactly.
00:40:38
Speaker 2: This whole scene infuriates me so much.
00:40:42
Speaker 3: Because of Kevin.
00:40:44
Speaker 2: Kevin is such a dick, I'm sorry.
00:40:49
He is the definition of why animals should eat their young.
00:40:53
I am so and I this actor is probably a great guy, whatever
00:40:59
well, I mean, it's not a real person.
00:41:03
He acted the crap out of this and I hated it and just and just
00:41:09
go on, just go on.
00:41:12
Speaker 3: So he pulls up the shade and Jasmine is waiting for
00:41:15
him.
00:41:15
She's facing away from the house and says that she's only
00:41:18
come to say goodbye.
00:41:19
He asks why.
00:41:21
He doesn't understand Please talk to me.
00:41:23
She comes close to the window and asks why he won't let her in
00:41:27
.
00:41:27
He tells her she knows why he can't.
00:41:31
He asks her to stay and talk with him.
00:41:33
She responds with you said you liked me, and then he says that
00:41:38
he does.
00:41:38
She says that she can't keep coming here, knowing that she'll
00:41:43
see him but she'll never get to feel him, knowing that he's
00:41:47
afraid of her, that he's disgusted by her.
00:41:51
He protests a little bit and she continues with you always
00:41:55
tell me how lonely you are in there.
00:41:57
You have no idea how lonely it is out here.
00:42:00
It wasn't my choice to be this way.
00:42:03
Goodbye, kevin.
00:42:04
And she starts to turn and he's like wait, kevin.
00:42:09
Speaker 2: Says you know the oldest trick in the book.
00:42:13
Speaker 3: Oh my God, he's so easy.
00:42:14
Kevin says there's a party going on downstairs, everybody's
00:42:19
having a good time, but you're the only one I want to be with.
00:42:23
You're the only one I can really talk to.
00:42:26
You promise, it'll just be you, no one else will get in.
00:42:32
And she says not once they shut the window, I promise.
00:42:43
He smiles and says okay.
00:42:44
Kevin grabs a crowbar and starts pulling nails from the
00:42:46
nailed shut window.
00:42:46
So now we're in the kitchen with our favorite guy, dale.
00:42:52
Dale is holding court, talking about the number of dimensions
00:42:56
and the bosonic string theorists believing that there are 26
00:43:02
dimensions, but super string theorists say there are only 10.
00:43:05
Ellis comes in to get more booze.
00:43:08
Einstein thought that all time coexist simultaneously, so
00:43:16
that's his idea of strengths.
00:43:17
Dale is talking to the woman, stacy, the one that Fatima was
00:43:23
kissing.
00:43:24
Speaker 2: Yeah.
00:43:25
Speaker 3: He asked if this is a dimension and he says no, it's
00:43:28
a pocket universe.
00:43:29
Dale is trashed.
00:43:30
Ellis tells him that's enough.
00:43:33
Not a pocket universe or whatever Dale thinks it is,
00:43:36
nobody gives a fuck.
00:43:38
So why don't you shut the fuck up?
00:43:41
Dale tells him to have another drink and to calm down.
00:43:44
Ellis advances on him and knocks on his, knocks his bottle
00:43:48
of what looks like crown royal out of Dale's hand and pulls
00:43:52
Ellis away and tries to calm him down.
00:43:55
Oh wait a minute.
00:43:56
No, pull out of Dale's hand.
00:43:58
Ellis keeps asking what Dale is going to do, baiting him to
00:44:01
fight.
00:44:01
Fatima comes and pulls Ellis away and tries to calm him down.
00:44:05
Dale tells her to take him upstairs before he starts
00:44:08
shooting up the place, both Fatima and Ellis give him the oh
00:44:12
no, you didn't look.
00:44:14
Ellis goes back to Dale, but Fatima and Donna stop it.
00:44:21
Fatima calms and centers Ellis and he apologized and he decides
00:44:25
to go up and lay down and tells her to stay and enjoy her night
00:44:30
.
00:44:30
Dale just can't leave it alone and says that Atlas is an animal
00:44:34
like mother, like son, which earns him a punch from Donna.
00:44:42
I remember we talked to Liz about that.
00:44:45
Speaker 2: She was very satisfied with that and to their
00:44:51
relationship.
00:44:52
He's a great actor.
00:44:53
Yeah.
00:44:54
He plays a really good jerk yeah, and the fact is, him and
00:44:59
Ellis should never be in the same room Ever, because every
00:45:02
time he's with Ellis gets hurt.
00:45:04
Yeah, and not ready.
00:45:06
We need to start a petition, get those two away from each
00:45:11
other and be done with it.
00:45:14
Speaker 3: I can't see either one of them leaving that house,
00:45:16
though.
00:45:16
So now we're back in the bathroom.
00:45:20
Kevin opens the window and helps Jasmine in, just like a
00:45:24
gentleman.
00:45:24
She tells him to close the window real quick.
00:45:27
She drops the flowers and says see just the two of us.
00:45:32
He comments that her hands are so warm.
00:45:35
She asks if he thought that they'd be cold.
00:45:38
She tells him to kiss her.
00:45:40
They kiss, and she goes in deep and lifts his shirt.
00:45:44
Her nails are short and normal, and then they scratch his back
00:45:48
with really long nails.
00:45:50
Now they're long and pointed, leaving blood trails.
00:45:53
He slaps her hand and cries out in pain.
00:45:56
She latches on and bites off his tongue and he backs away,
00:46:00
spewing a river of blood from between his teeth.
00:46:03
She morphs and goes after him I just you know what.
00:46:09
Speaker 2: The fact that she ripped out his tongue was like
00:46:11
the best part of that, because he's he should never have been
00:46:15
talking.
00:46:15
He deserved everything he got and he killed those people
00:46:20
because of he's an idiot.
00:46:22
Yeah, and I understand loneliness and everything else.
00:46:26
Speaker 3: I totally get that, yeah he was just thinking about
00:46:29
his Johnson.
00:46:30
Speaker 2: But I'm just saying like hang out with Trudy, yeah.
00:46:35
Speaker 3: I mean Trudy.
00:46:36
Maybe he'd already ridden that ride, I don't know.
00:46:41
He'd already ridden that ride.
00:46:43
Yeah, maybe he has.
00:46:45
Speaker 2: He had two tickets on that ride.
00:46:47
Speaker 3: Maybe she was like no , no, thanks, you can.
00:46:51
No, no thanks, you can keep it, kevin, it was just so.
00:46:55
Speaker 2: and then she opens the window and then she just
00:46:57
walks away like hey, hello, we're open for business guys.
00:47:02
Speaker 3: Yeah.
00:47:02
So back in the Lou house we're in Jade's room.
00:47:08
Jade is in his room laying laying on his bed, awake.
00:47:11
When Kenny comes in to tell him that dinner is ready, Jade says
00:47:14
he's not hungry.
00:47:15
Kenny says that Jade's been staring at that book for a day
00:47:19
and a half, which can't be true.
00:47:21
Jade throws the book and tells Kenny to F off.
00:47:24
Mrs Lou comes in and starts yelling at Jade.
00:47:28
Speaker 2: I love this.
00:47:29
I love this.
00:47:31
Speaker 3: Jade sits up in bed.
00:47:32
Jade surrenders and says that he's coming.
00:47:35
Kenny advises him that it's best not to take too long.
00:47:38
If he were him, jade responds in Cantonese.
00:47:41
He's already learned some Cantonese just being in that
00:47:46
house a day.
00:47:46
So now we're back in Colony House on the second floor.
00:47:52
Fatima comes up the stairs while people are talking and are
00:47:56
at the party.
00:47:57
She sees Trudy and tells her to work on her party face.
00:48:01
She asks what Trudy is doing sitting there alone.
00:48:04
Trudy tells Fatima that she doesn't have to bother since she
00:48:08
knows that Fatima doesn't like her.
00:48:10
Fatima says it's not true and Trudy says that it's such a nice
00:48:14
party.
00:48:15
Fatima says that she will get one too.
00:48:17
Trudy doesn't think that she will.
00:48:19
Fatima thinks for a second and tells Trudy to take off her
00:48:23
shirt and that Trudy drives her crazy sometimes, but they are in
00:48:27
this together and gives Trudy her mustard sweater that Trudy
00:48:31
adores so much.
00:48:33
Speaker 2: Really, this is so sad.
00:48:36
I can't believe they did this.
00:48:41
Speaker 3: What kills off Trudy.
00:48:42
She tells her that she's not alone and Trudy puts on the
00:48:46
sweater.
00:48:47
Fatima says for her to think of it as an early gift for her
00:48:54
anniversary.
00:48:54
Fatima tells Trudy that the sweater looks better on her
00:48:58
anyway and Trudy says it's wildly untrue, but thank you.
00:49:01
Trudy says that she's going to go find something to give to her
00:49:05
too and goes.
00:49:07
Julie joins Fatima telling her that was a nice thing to do.
00:49:12
Julie asks about Stacy, the girl that Fatima kissed.
00:49:16
Julie says that she thought that Fatima and Alice were
00:49:19
together.
00:49:19
Like I mean, if Julie's just been leading this standard like
00:49:25
boring life, it wouldn't have occurred to her that this would
00:49:30
happen.
00:49:30
Fatima says that Ellis is her person, the thing with Stacy's
00:49:35
just fooling around.
00:49:36
Julie uneasily asked Fatima if she can kiss her, not getting
00:49:41
the 100% response she was looking for.
00:49:44
Julie backs off saying that she was kidding and runs away.
00:49:47
So that's like typical teenager .
00:49:50
Speaker 2: I couldn't be any more typical teenager.
00:49:54
Yeah, yeah, I mean it's just kind of you take a shot, you get
00:49:59
shot down.
00:50:00
I'm going to go run away.
00:50:01
Speaker 3: Yep, that's the only thing to do I don't know.
00:50:05
Speaker 2: I think most adults would do the same thing.
00:50:07
Speaker 3: Yeah, yeah, I would.
00:50:09
I mean, who wants to be turned down?
00:50:12
Speaker 2: I mean if you're going to go after somebody,
00:50:15
she's like the best person to go after.
00:50:18
Speaker 3: Yeah, yeah.
00:50:19
So Boyd and Khatri are still talking and Boyd says so.
00:50:24
This girl tells you she's hearing voices and you just
00:50:27
Khatri says that he was skeptical too and then shows him
00:50:30
Sarah's drawing of the logo.
00:50:33
Khatri's been there almost three years, all right.
00:50:36
So Fatima one year, khatri almost three years.
00:50:42
Donna three years, six months and 17 days.
00:50:50
So let's see, boyd says so, you told someone and someone told
00:50:57
Sarah.
00:50:57
Katri says he didn't tell anybody and that there was no
00:51:00
way she could have known.
00:51:01
Something was watching me that day, that same thing that told
00:51:05
Sarah Boyd.
00:51:07
And you think this thing is trying to help us by killing an
00:51:10
old man and a child.
00:51:11
Katri, whatever it is, it's the fabric of this place.
00:51:15
Okay, whatever connection Sarah has, that makes her valuable in
00:51:20
ways we may not even understand yet.
00:51:22
So now, if you want to put her in the box, that's fine, I'm not
00:51:27
going to stop you.
00:51:28
But if you are serious about finding answers, the fact that
00:51:31
you're going on this journey at the same time that this
00:51:35
connection is revealed, that's just not a coincidence.
00:51:38
That's providence.
00:51:39
Providence, in case anyone doesn't know, it's not just the
00:51:45
city in Rhode Island, but it is something that's meant to be.
00:51:48
Boyd asks what he's suggesting.
00:51:51
I love that word, providence.
00:51:53
Boyd asks what he's suggesting.
00:51:55
Cotri says that he and Sarah should go with him.
00:51:58
Use this connection to our advantage.
00:52:01
Boyd says so.
00:52:03
A priest, a sheriff and a murdering psycho walk into a bar
00:52:07
.
00:52:07
Cotri agrees and laughs.
00:52:09
Boyd takes a drink.
00:52:10
So back to the Matthews house.
00:52:17
Tabitha has been digging the hole.
00:52:19
When Jim comes down, the wires are just going down straight.
00:52:23
Jim says that if she goes any deeper they will need a taller
00:52:27
ladder.
00:52:27
She says that they'll go as deep as they have to.
00:52:30
Jim climbs down into the hole.
00:52:33
When she stretches her arm in pain oh, he wants to look at it
00:52:41
and she says she's fine.
00:52:42
He says that fine isn't a word that he'd use to describe any of
00:52:47
them at this point.
00:52:49
He rubs her shoulder and she needs that.
00:52:51
He tells her to take a break and sit with Ethan for a bit and
00:52:55
he'll take over.
00:52:56
She asks if he's stuck with his antenna, and he is.
00:53:01
Jim gets a little close to her and starts kissing her neck.
00:53:05
So when they arrive there they're on the verge of of
00:53:10
divorce and my guess is that there's not much intimacy
00:53:16
between them at all that was a big deal it was a big deal.
00:53:21
Speaker 2: They've been there six days and they're starting to
00:53:25
knit back together again well, when you have bloodthirsty
00:53:30
monsters trying to hunt you at night, you kind of get a little
00:53:33
bit closer.
00:53:34
Speaker 3: Well, perhaps, but I mean, stress brings people
00:53:40
closer, disaster brings people closer, it's just that this just
00:53:45
seemed more of a romantic gesture than two people, I don't
00:53:53
know it just Well, they're finding their groove back and
00:53:54
you know what they're finding their groove.
00:53:56
Speaker 2: I mean, I just know as a married person, you married
00:54:01
someone for a reason.
00:54:03
Speaker 3: Yeah.
00:54:04
Speaker 2: And there's the best things and the worst things, and
00:54:07
when you're're not, when you don't like somebody that you
00:54:12
love, you know how to nitpick them.
00:54:14
And when you like somebody that you like, the things that will
00:54:20
make them feel better, and it's sweet, and that's what it comes
00:54:24
down to, and it's nice to see that they're finding the groove,
00:54:27
so to speak.
00:54:29
Speaker 3: Yeah.
00:54:29
I mean yeah.
00:54:32
Yeah, it's just another indication of how this place can
00:54:39
change things.
00:54:40
So colony house Jasmine is done with her carnage and is
00:54:45
cleaning up in the sink.
00:54:46
Kevin is lying on the floor dead, but his chest cavity isn't
00:55:06
bored out.
00:55:06
Speaker 2: What I love about that is how slow she does it.
00:55:11
Yeah, just like.
00:55:13
Yeah, like it's no big deal.
00:55:15
I'm just gonna get this out and that's.
00:55:17
That goes back to what kenny said about the chess pieces.
00:55:21
Yeah, they've got.
00:55:23
They feel like they have the advantage, so they don't have to
00:55:26
, they're in no rush that yeah, and they're never in a rush.
00:55:29
Speaker 3: It's like they know that they'll get there.
00:55:33
Whatever it takes, they're going to get there.
00:55:36
Yeah, it's cool.
00:55:37
So now we're in Victor's bedroom.
00:55:40
Victor is sorting through drawings when there's a knock on
00:55:43
the door.
00:55:43
It's Julie and she wants to come in.
00:55:48
He rather said she didn't.
00:55:50
And she says please, and that this is the only place in the
00:55:53
house that she can be alone.
00:55:55
Well, sort of.
00:55:56
He says that she looks sad.
00:55:58
She cuts him off, asking if she can just come in.
00:56:01
That she's really had a bad night.
00:56:02
Julie asks are you going somewhere?
00:56:05
It looks like you're packing.
00:56:06
Victor says no, it's just hard to explain.
00:56:09
She asked why he dug the graves .
00:56:12
He says he doesn't want to talk about that.
00:56:13
She starts looking through the pile of license plates and ask
00:56:18
if they are from all the cars that have come into town.
00:56:20
He says that they are and stops her from touching them.
00:56:24
She wanders around the room like she's just looking and
00:56:28
touching everything.
00:56:29
She says on my first day down in the pantry, you said that two
00:56:32
cars haven't come into town on the same day and that it was
00:56:36
special why You've been here the longest out of anyone.
00:56:40
Victor ties a bundle of his drawings, together with string.
00:56:44
Do you know what?
00:56:45
This place is?
00:56:45
Back in the Lou house, and they're in the kitchen.
00:56:49
Jade is looking at the book, flipping pages while Kenny and
00:56:52
Mrs Lou prepare dinner.
00:56:54
Kenny says seriously, man, I don't know why you keep staring
00:56:57
at that thing.
00:56:58
Jade says I'm sorry, hold on.
00:57:01
And flips pages, pages, pages.
00:57:04
Notices that the two pages are stuck together, he grabs a knife
00:57:09
and splits them and a Polaroid comes out between them.
00:57:13
He looks at the Polaroid with Kenny and Mrs Liu looking over
00:57:17
his shoulder.
00:57:17
Mrs Liu takes the picture and realizes that the young boy in
00:57:22
the picture is Victor.
00:57:24
Speaker 2: And they're like what do you mean?
00:57:25
That's not Victor, but my question to you and to the
00:57:28
listeners is okay, fine, he wanted to keep the picture, for
00:57:33
whatever reason?
00:57:34
Yeah, but why did he glue it?
00:57:39
Speaker 3: who the person that put it in the book?
00:57:42
Speaker 2: yeah, so it wouldn't get lost, I think no, I'm just
00:57:45
saying, like what is the, what's the significance of any of that
00:57:49
?
00:57:50
Speaker 3: And that book could have been.
00:57:52
What was that guy's name?
00:57:53
Paul.
00:57:58
Speaker 2: It could have been.
00:57:59
What was his name?
00:58:00
Speaker 3: Just keep going, I'll get it.
00:58:00
It could have been some kind of diary or journal, because when
00:58:05
we see that picture he's holding that book against his chest.
00:58:09
See that picture, he's holding that book against his chest.
00:58:14
And it could have been that he just got there and whoever he
00:58:16
was with took that picture to record that moment of getting
00:58:20
there.
00:58:20
And so people do different things with their personal
00:58:25
journals.
00:58:25
Some people will draw on them or put things in it like
00:58:29
mementos.
00:58:30
They put it in the book.
00:58:31
But he could have put that book and sealed the glued the pages
00:58:37
around it so that he wouldn't lose the picture.
00:58:39
That's all I think it was.
00:58:41
I don't think it was a real purpose.
00:58:44
Speaker 2: It was Christopher.
00:58:44
I don't even know why I'm thinking about it.
00:58:47
Speaker 3: Yeah, I just posted about him.
00:58:48
Speaker 2: The sad part is I just posted on our facebook, I
00:58:51
mean on our instagram, and I I just like drew a blank and I
00:58:54
don't even know why.
00:58:55
I didn't have to look it up.
00:58:56
I'm just like, oh my gosh, christopher, uh, yeah and uh,
00:59:00
christopher, like in sopranos, come here, christopher, all
00:59:04
right.
00:59:05
Speaker 3: So yes, no, no I love that dynamic.
00:59:09
Speaker 2: So, yes, no, no.
00:59:10
Love that dynamic of the three of them and how Jane is just
00:59:15
like a little brat and he fits right in.
00:59:19
Oh no, but I mean, when we get to the, what is it the ninth
00:59:25
episode?
00:59:25
Or 10th episode when he's with Mrs, or 10th episode when he's
00:59:28
with Mrs Liu?
00:59:28
You really understand his respect for his elders.
00:59:34
Yeah, and he reminds me a lot of Sheldon in.
00:59:39
Big Bang.
00:59:40
Theory in the sense of he's a pain in the ass.
00:59:45
He's too smart for his own good , but there are rules.
00:59:49
And when he steps over the line which he knows he's going to
00:59:50
for his own good, but there are rules.
00:59:51
And when he steps over the line which he knows he's going to
00:59:53
step over the line, he is like yes, ma'am, yeah, I just loved
01:00:00
that him and kenny are battling over going to dinner like, dude,
01:00:03
you better get down there, mom's, to kick our ass.
01:00:06
Yeah.
01:00:09
Speaker 3: So, jade, oh no, now back to the colony house, where
01:00:13
things really get nuts.
01:00:14
Trudy walks with her pillow wearing the mustard sweater,
01:00:18
while others are sitting around.
01:00:20
She tells her pillow that it's going to a new home, she's going
01:00:28
to give it to Fatima and that she'll take such good care of it
01:00:29
.
01:00:29
Trudy hears a woman laughing and follows the sound into a
01:00:32
bedroom where Jasmine is looking into the mirror laughing.
01:00:35
Don't go in.
01:00:37
I know.
01:00:37
Smiley slams the door closed and the two monsters look at a
01:00:42
scared Trudy.
01:00:42
There's another man in the room .
01:00:44
I mean that was awful, like just that together.
01:00:50
Jasmine says hi, trudy, and Trudy asks how they know her
01:00:54
name.
01:00:55
Jasmine says that they know all their names.
01:00:58
The three are circled around Trudy.
01:01:00
They start touching her and then close in on her and start
01:01:05
biting and Trudy screams.
01:01:06
People are sitting on the staircase.
01:01:11
Speaker 2: Before we go there.
01:01:12
I just want to talk about that scene because I think that
01:01:17
there's something to be said for the way the monsters view the
01:01:23
humans.
01:01:24
I don't know if they admire them yes, they think they're
01:01:32
food or whatever.
01:01:32
They want to kill them for some reason.
01:01:35
But, like Jasmine did this with Kevin and they also did it with
01:01:42
um Trudy, where it's not sexual , but it's like they're checking
01:01:53
, yeah, and it's just kind of I don't understand why they would
01:02:00
kill her.
01:02:00
She was such a good annoying character.
01:02:04
Speaker 3: Oh, I'm like, because they would kill her.
01:02:06
She was such a good annoying character.
01:02:07
Speaker 2: Oh, I'm like because they kill and eat people.
01:02:08
Yeah, I mean.
01:02:09
I don't know what I mean is.
01:02:10
I don't know why the writer?
01:02:11
Speaker 3: I know yeah.
01:02:13
Speaker 2: I mean.
01:02:13
Speaker 3: I know she was a good like layered character.
01:02:17
Speaker 2: She could have been not a second or a third
01:02:19
storyline.
01:02:19
He could have been not a second or a third storyline, but she
01:02:23
could have like like Katrina, yeah, the girl.
01:02:28
I mean she's got some one liners here and there and
01:02:33
they've got 50 people, backstory people and behind the
01:02:38
scenes.
01:02:38
Speaker 3: Yeah.
01:02:39
Speaker 2: It's.
01:02:39
I mean, I know they have to kill somebody or else it
01:02:42
wouldn't be a good show, but it's like the walking dead, in
01:02:44
that sense nobody wants glenn to die, but somebody has to die.
01:02:48
Um, it's just.
01:02:49
It's just.
01:02:52
It really pisses me off I know it's, it's, it keeps the real
01:03:00
fact is she was in harry potter on broadway, so I had to go.
01:03:07
I just love that fact so if she's looking, it's just like I
01:03:12
don't know.
01:03:13
I don't know, not that she would be listening, but um, that said
01:03:17
, uh, that was some gruesomeness .
01:03:20
Speaker 3: And then the scene of all scenes is now where Dale
01:03:27
and Well, he's complaining to Stacy that he's been here longer
01:03:32
than Ellis and that he deserves a little respect.
01:03:35
He could really help this place if they just what the blood is
01:03:40
dripping on him from above, that they just what the blood is
01:03:44
dripping on him from above.
01:03:46
They look up and they see Smiley smiling over the banister
01:03:48
at them, which you go from just having a good time to being
01:03:57
terrified.
01:03:57
Screaming starts and someone yells that they're in the house.
01:04:00
Ellis wakes up when he hears the yelling.
01:04:03
People are running and yelling as the monsters come into the
01:04:06
house after them.
01:04:07
Fatima is asking if anyone has seen ellis and she starts to
01:04:12
help the stairs when she sees two female monsters coming down
01:04:16
the stairs toward her.
01:04:17
Um, I love that one in that black girl.
01:04:20
Speaker 2: Right, I love that one it was Jasmine and that
01:04:21
black girl right.
01:04:22
Speaker 3: I love that outfit she was wearing.
01:04:24
I have it.
01:04:26
Oh, you do.
01:04:27
Speaker 2: Yeah, it brings out my eyes.
01:04:29
Speaker 3: Yeah.
01:04:29
She turns and runs down.
01:04:32
She heads to the front door when she realizes that there are
01:04:35
more on the other side of the door, in the vestibule.
01:04:38
People run through the kitchen and out the door.
01:04:42
In Victor's room they can hear the yelling and Julie asks
01:04:45
what's going on.
01:04:46
Victor says that it's starting.
01:04:49
She wants to know what is starting and he says that they
01:04:53
have to go.
01:04:53
She wants to know where and keeps asking Victor asking,
01:04:58
while Victor doesn't answer but grabs a really thick rope that
01:05:02
he ties to a beam in front of his window.
01:05:04
He throws the bottom out of the window while she's freaking out
01:05:09
.
01:05:09
He tells her to go first and that he'll follow her down.
01:05:12
He puts the pack of tied pictures on her shoulder and for
01:05:17
her to take.
01:05:17
She goes out of the window and starts climbing down while
01:05:21
people are running around outside.
01:05:24
Donna is outside the door telling people to find their
01:05:27
buddy and to get into the van.
01:05:29
Fatima comes around the corner.
01:05:31
Donna asks where Ellis and Julie are and Fatima says she
01:05:35
doesn't know.
01:05:35
Donna starts to go back into the house.
01:05:40
Fatima stops her and Donna says that she's not running.
01:05:43
Fatima tells her that she has to get those people to town to
01:05:47
save as many as she can and to follow protocol.
01:05:50
Donna runs to the van while she and the others get in.
01:05:53
Julie makes it to the ground, looks up and then looks around
01:05:57
the corner of the house to see people running.
01:05:59
She turns back to tell Victor to hurry up.
01:06:02
Victor gets to the ground.
01:06:04
Julie says that they need to get to town.
01:06:06
He looks and sees the boy in white.
01:06:09
The boy in white turns and walks into the woods.
01:06:13
Victor says they have to go to the trees.
01:06:16
Julie asks if he's crazy.
01:06:19
Those things live in there, please.
01:06:21
They'll kill us.
01:06:22
Victor tells her to trust him.
01:06:24
If you want to see your family again, we have to go to the
01:06:28
trees.
01:06:29
She agrees.
01:06:31
Smiley is touching the plants as he walks along the second floor
01:06:34
hallway near the staircase, ellis creeps along.
01:06:38
He sees a door jar with a pool of blood that has come under the
01:06:45
door.
01:06:45
He opens the door and sees the mustard sweater and the dark
01:06:50
hair.
01:06:50
He thinks that it's Fatima and then finds that it's Trudy.
01:06:54
Smiley comes up behind him.
01:06:57
Ellis is trapped.
01:06:58
He throws a footstool through the window and climbs out on the
01:07:02
roof.
01:07:03
He runs along the roof, then jumps down to the ground,
01:07:06
landing flat.
01:07:07
Fatima comes around the corner of the porch and sees him.
01:07:11
He hasn't seen Julie.
01:07:14
Monsters come around the corner of the porch.
01:07:16
Fatima struggles to get Ellis up.
01:07:18
He tells her to go.
01:07:20
She says she's not going anywhere without him and that
01:07:23
they can do this.
01:07:24
She gets up the stairs and into the house while the first two
01:07:28
monsters follow and two follow from the porch.
01:07:31
She gets Ellis inside and has an idea.
01:07:33
She closes the front door and then closes the empty door in
01:07:37
the face of more monsters approaching from inside.
01:07:41
She touches the talisman that hangs at the front door sinks.
01:07:44
A woman monster bangs on the door telling them not to be like
01:07:48
that because they're having so much fun.
01:07:50
They knock, fatima sobs, ellis just looks.
01:07:55
They rattle the doorknobs.
01:07:57
Ellis and Fatima realize that they can't get in and that
01:08:00
they're safe.
01:08:01
Ellis asks how she knew it would work.
01:08:04
She says she didn't and mentions Boyd in the RV.
01:08:07
Ellis apologizes.
01:08:10
She says that she loves him and he tells her that he loves her
01:08:14
and they hold hands.
01:08:16
Victor takes Julie through the woods to the faraway tree and
01:08:19
tells her to get inside.
01:08:20
Screaming can be heard.
01:08:22
She says no.
01:08:24
He tells her that she'll be safe.
01:08:26
He tells her that she has to find her brother, warn him, tell
01:08:30
him that it's starting.
01:08:32
She says she doesn't know what he's talking about.
01:08:35
Victor says that he will.
01:08:37
He tells her to go and she says no, wait, wait.
01:08:40
He says I'll be right behind you, but his voice fades so back
01:08:48
in the root cellar.
01:08:48
This is where Julie lands.
01:08:52
Back in the sheriff's office, boyd and Katri are sitting and
01:08:55
talking.
01:08:56
Boyd says if we do this and I mean if and she even blinks the
01:09:02
wrong way.
01:09:03
Katri says you do what you need to do, but we're going out
01:09:07
there and we're finding answers.
01:09:09
We're going to find answers.
01:09:11
We're going to find a way, boyd .
01:09:12
This is why I was told to get back in the car, so that you and
01:09:17
I can go out there and find a way to bring these people home.
01:09:20
Boyd says you're a fucking madman.
01:09:23
You know that right.
01:09:24
Cautry says that the Bible's full of them.
01:09:28
A car horn sounds.
01:09:30
They get up and go to the door.
01:09:32
Donna's van pulls up.
01:09:33
Boyd runs out asking what happened.
01:09:36
Donna gets out of the van while Cautry opens the door to let
01:09:39
everyone else out.
01:09:40
Boyd asks where Ellison is and Donna says that she doesn't know
01:09:44
.
01:09:44
Katri tells everyone to get inside.
01:09:47
Boyd and Katri hustle.
01:09:48
Everyone in.
01:09:49
Monsters are coming down the street toward them.
01:09:52
The last one gets out and Katri brings up the rear.
01:09:55
He looks down the street at the approaching monsters and calls
01:09:59
as NS1 calls you guys, okay, over there Behind him a woman
01:10:04
says father.
01:10:05
He turns and she slashes him across the face.
01:10:09
She's half monster, half changed monster.
01:10:12
Boyd grabs Khatri and shoots at the monster as he drags Khatri
01:10:16
inside.
01:10:16
Donna is waiting to help close the door.
01:10:19
Khatri's neck is slashed.
01:10:22
It dislodges his white collar from his shirt.
01:10:25
Katri says it doesn't end like this, my path.
01:10:29
Donna brings towels and they put it on his neck.
01:10:32
Boyd begs him to stay with him.
01:10:34
Katri asks for them to pray with him.
01:10:37
Katri starts the Our Father.
01:10:39
Khatri dies before the prayer is over.
01:10:43
So my thought that Khatri was meant to be there to push Boyd
01:10:52
to his next point.
01:10:54
Speaker 2: Maybe.
01:10:54
Yeah, that makes sense.
01:10:55
Speaker 3: I mean, you know, Like when the mousetrap came.
01:10:59
Speaker 2: Right, no, that makes perfect sense and you know that
01:11:02
was a conversation that needed to be hot, be had I.
01:11:06
I think that it's just so ironic, or I don't know what the
01:11:12
right word is, that he pushed him to kill frank but he kept
01:11:18
sarah.
01:11:18
I mean, I understand.
01:11:20
I'm not here to say I don't understand why.
01:11:22
Speaker 3: I mean that's the whole reason why.
01:11:24
But like Frank caused two deaths.
01:11:28
I mean not that Sarah didn't, but Frank caused two deaths,
01:11:32
didn't have anything to offer for it.
01:11:36
Speaker 2: Well, no, I don't try to kill somebody versus Frank
01:11:39
causing a death.
01:11:40
Speaker 3: Yeah Well.
01:11:41
I mean there's a big difference .
01:11:43
Somebody versus frank causing a death yeah, he well, I mean she
01:11:45
deserves.
01:11:46
You could say he killed his wife and child because he wasn't
01:11:49
at home taking care of them.
01:11:52
Speaker 2: He didn't nail the windows closed but she may.
01:11:55
That may be true, which it is, but she literally tried to kill
01:12:01
people.
01:12:02
Yeah, I mean, she's a attempted murderer as opposed to a
01:12:07
drunken jerk.
01:12:09
Um, I mean so, but at the same time I go back to this statement
01:12:16
all the time it's like they have selective memory when it
01:12:24
comes to and this is like a problem that I have with the
01:12:26
show Like one minute everything is mysterious.
01:12:32
They got monsters coming at night, but they can't believe
01:12:36
that somebody is hearing voices from something else, I think
01:12:42
because they've seen enough of the monsters.
01:12:45
No, but you understand, I know.
01:12:49
Speaker 3: They're not extending that disbelief, they're not
01:12:56
suspending the disbelief, but all of a sudden, if Sarah just
01:13:01
said she was hearing voices, they would think that she was
01:13:04
going crazy.
01:13:05
But instead she's hearing voices with some legitimacy
01:13:10
because she tells Katri about the boy in the spaceship that's
01:13:15
on the candy bar.
01:13:16
I had a thought about that boy in the and I had a thought about
01:13:19
that boy in the.
01:13:20
I was responding to someone on a on one of the posts, one of
01:13:26
the pages, and I don't know if I put it there or not.
01:13:30
But of course now, after thinking I would never forget it
01:13:34
, I have forgotten it.
01:13:35
So that's it.
01:13:39
So Khatri, well, he's disappointed because I think he
01:13:43
thought his path was to write book 74.
01:13:47
And he didn't get to do that.
01:13:52
I mean, it is disappointing.
01:13:57
Speaker 2: His purpose may have just been to get them to a
01:14:00
certain point.
01:14:01
But you know what, and this is the thing, is it destiny or is
01:14:06
it fate, or is it pre-written, or is it pretty well, I mean, we
01:14:12
have been battling that throughout our lifetime as
01:14:20
civilized thinking humans in our life is there a reason for this
01:14:27
?
01:14:27
Speaker 3: why am I here?
01:14:28
Speaker 2: is it free will that I'm on this podcast, or is it
01:14:33
already pre-done?
01:14:34
You know?
01:14:35
is the book written yeah, and again, this is something that I
01:14:40
love exploring, because the thing about this show is it's
01:14:44
not just about the monsters, just like the Walking Dead, it's
01:14:47
about being a lot bigger.
01:14:49
In the Last Walking Dead, ones who Lived the Walking Dead are
01:14:56
the, as we found out, aren't the zombies, but they're the people
01:15:02
.
01:15:02
We're the walking dead, so you could place that, you can put
01:15:07
that in anything.
01:15:08
So the fact that Khatri died is awful.
01:15:14
It was a shocker even to him as an actor, and I think that
01:15:19
what's really amazing is the way they brought him back, and it
01:15:23
sounds like from some of the Instagram posts and Facebook
01:15:27
posts, he's coming back not semi-regular to Boyd, I think.
01:15:33
Speaker 3: Yeah, I really like that a lot.
01:15:39
I like that.
01:15:41
Speaker 2: They got the best of both worlds.
01:15:42
They killed him, which was great, which sucked, I mean, but
01:15:47
then they still got him in his thoughts yeah and I.
01:15:52
Speaker 3: It's an interesting dynamic.
01:15:54
You would think all right, well , maybe after boyd has solved
01:15:59
that puzzle, there's no need for cotri to come back.
01:16:02
But yet there is.
01:16:03
There's no need for Khatri to come back.
01:16:06
Speaker 2: But yet there is there's a need for Khatri.
01:16:07
I think there's a need for Khatri because of his conscience
01:16:09
.
01:16:10
Speaker 3: Yeah, so yeah, I'm happy to see him back as well.
01:16:14
Like I don't know, I hate saying goodbye to characters.
01:16:18
I really do.
01:16:18
Well, some of them I could do without.
01:16:24
Speaker 2: No, our biggest problem problem is, since we've
01:16:25
done what we've done, getting to know them, the actors, on a
01:16:29
personal level, meaning interviewing them yeah, that's
01:16:33
me, my personal, that's not the right word but on a level where
01:16:36
we know the actor.
01:16:37
We've come to like the actor as much as the character.
01:16:42
And when we were talking about well, we talked about this a
01:16:46
little bit before in one of the other episodes that we're going
01:16:49
to be probably doing a tribute poster, and the problem is you
01:16:52
can't have everybody on there.
01:16:53
You just can't.
01:16:56
Speaker 3: We did pretty good getting everybody on what I
01:16:59
think we did pretty good.
01:17:01
Speaker 2: I think we did pretty good, but I'm just saying
01:17:02
there's just certain characters that just didn't make it on,
01:17:05
just who didn't make it on, you don't know.
01:17:08
Just I'm telling you.
01:17:10
Okay, my point being is, my point being is everybody is not
01:17:18
you got to make cuts sometimes, and that's what the writers have
01:17:21
to do, and that's why they get paid the big bucks and we don't
01:17:24
um, but that's why we're fans and we can um and we can cheer
01:17:29
on whoever so, but yeah, no, uh, I thought that was, it's the
01:17:37
best episode.
01:17:38
I think it was really a culmination of everything that
01:17:42
from is about, and it really set the table for not only the rest
01:17:48
of the season but what's going to happen in season two.
01:17:52
I mean, there's some with the bus and everything else, but you
01:17:56
know they're still reeling over it in season two yeah and the
01:18:01
fact that the next day, in a sense, I'm just saying.
01:18:04
But the fact that kevin's an idiot is just yeah, well, kevin
01:18:11
paid for it in the end so he should.
01:18:16
So, um, that said, our next episode we're going to be doing
01:18:21
Broken Windows, open Doors, which is Season 1, episode 8,
01:18:27
because I don't know how to speak and we had a couple
01:18:32
surprises.
01:18:32
Hopefully, in the meantime and, like we said, hopefully We'll
01:18:40
have a couple of announcements about the tribute poster, a
01:18:43
little bit more than what we have right now, which it's.
01:18:46
It's in the final stages and we'll be.
01:18:51
It's amazing, and we're trying to make it at a price point that
01:18:56
everybody can get one.
01:18:58
The biggest problem is going to be shipping, because we might
01:19:03
have some people from North that might want to get them, since
01:19:07
most of the cast and crew and everything else are up there and
01:19:11
a ton of fans.
01:19:12
So we're just trying to work that all out, but it's in the
01:19:17
process of being produced and we're just really excited about
01:19:22
it and we can't wait to share it with you guys.
01:19:24
So, if you are looking for more content, we're going to start
01:19:31
doing a little bit more content.
01:19:33
But, that said, if you have any other need for podcasts, we got
01:19:40
a couple that are coming up in terms of Run For your Lives is
01:19:43
doing they're always doing a scary movie.
01:19:46
I just dropped another.
01:19:50
We dropped an interview with a writer, andy Griffiths, who is
01:19:57
the author of 13 Story Treehouse , and he was nice enough.
01:20:01
We went to one of his book signings and he was nice enough.
01:20:03
We went to one of his book signings and he was nice enough
01:20:04
to give us a an interview.
01:20:06
And Lucy was freaking out because she's like what am I
01:20:11
going to say?
01:20:11
And I know podcast is doing fallout.
01:20:19
Speaker 3: Yeah.
01:20:20
Speaker 2: Have you watched that at all?
01:20:22
Speaker 3: Yeah, I don't know what episode I'm on three or
01:20:24
four, I'm not sure, but man I haven't watched it yet.
01:20:27
Speaker 2: I haven't watched it, yet good, it's good um but um,
01:20:31
and it's revisionist history and it's pretty like it's dark well
01:20:40
, considering that we're coming from a pretty dark place here,
01:20:44
we're always looking for something a little bit dark, but
01:20:50
yeah, so what else you got going on, kiddo?
01:20:56
Speaker 3: I am putting the finishing touches on my book.
01:21:00
I probably could have finished it this weekend if I touched it,
01:21:05
but I didn't.
01:21:07
I don't know, I didn't have much time, so that's it.
01:21:12
I'm just working on a new show that is interesting, and that's
01:21:19
it.
01:21:19
Back to work All right Well.
01:21:22
Speaker 2: I guess if it's back to work for you, it's back to
01:21:25
work for me.
01:21:26
My name is alex and I'm lizzie, and we will see you next week
01:21:31
or whenever we drop this one bye .
01:21:34
Get you home, let's go, come on .
01:21:39
Speaker 1: Get in your house, let's go, come on come on, get
01:21:50
in your house, let's go, come on .